INTRODUCTION TO THE STUDY OF FILM
History of Film: Sound Cinema
Al Jolsen was the muse to usher sound and song into the realm of film.
Screenings
1920s
Sunrise (1927), F.W. Murnau
1930s
M (1931), Fritz Lang
Blonde Venus (1932), Josef Von Sternberg
Bride of Frankenstein (1935). James Whale
Top Hat (1935), Mark Sandrich
Mr. Deeds Goes To Town (1936), Frank Capra
Camille (1936), George Cukor
Olympia (1936), Leni Riefenstahl
Night Mail (1936) Harry Watt, Basil Wright
Grand Illusion (1937) Jean Renoir
Only Angels Have Wings (1939), Howard Hawks
Rules of the Game (1939), Jean Renoir
1940s
The Philadelphia Story (1940), George Cukor
The Lady Eve (1941), Preston Sturges
Rome, The Open City (1942), Roverto Rossellini
Meshes in the Afternoon (1943), Maya Deren
To Have and Have Not (1944), Howard Hawks
A Study in Choreography for the Camera (1945), Maya
Deren
Notorious (1946), Alfred Hitchcock
Bicycle Thieves (1948), Vittorio de Sica
1950s
On The Waterfront (1954), Elia Kazan
Rebel Without A Cause (1955), Nicholas Ray
Night and Fog (1956), Alain Resnais
Vertigo (1958), Alfred Hitchcock
Shoot the Piano Player (1959), Francois Truffaut
1960s
The Man Who Shot Liberty Valence (1962), John Ford
Vivre sa vie/My Life to Live (1962), Jean Luc godard
La jetee (1963), Chris Marker
Smiles of a Summer Night (1964), Igmar Bergman
Persona (1964), Igmar Bergman
Point of Order (1964), Emil de Antonio
Gertrud (1964), Carl Theodor Dreyer
High School (1968), Frederick Wiseman
Panola (1968), Edward Pincus
1970s
Badlands (1973), Terrance Malick
1980s
Life and other Anxieties (1984), Edward Pincus
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