IL
VANGELO SECONDO MATTEO
The Gospel of St. Matthew (1964)
Pier Paolo Pasolini
There is something moving about Pasolini's
filmic adaptation of Matthew's Gospel. It is stark. There are lots
of studies of faces. The Jesus is a bit stoic - maybe that is an
understatement. There is something to the tone set by music, the
gritty black and white and the location.
Notes
Pier Paolo Pasolini
The Gospel According to St. Matthew
Opening
titles with African music. To classical choral arrangement.
Music
featured in the film from Bach, Mozrt, Prokofiev and Anton Webern
+ Original Music by Luis Bacalov.
Open
shot of Mary - in her teens. Joseph - in his late thirties. Face
to face. Reveal she is pregnant. He walks away. In the doorway
behind
her there are three women. One ith child - possibly Elizabeth.
Joseph
wanders off to the hillside village. There are children playing.
He kneels down to rest. Gabriel appears to him. The African music
begins. Joseph returns to Mary. Face to face. Smiles from each.
In
the busy village of Bethlehem. Marketplace. Haggling over goods.
Women traveling on donkeys - veiled. Plain chant. The wise men
ask
Herod, "Where is he who is called the king of the jews."
Pasolini
is a master of facial studies. We see all these rich peasant
faces. As Pasolini did not hire actors.
The
wise men walk through hillsides populated with many people and
they
come across Mary and Joseph. Song "Motherless Child"
- ".a long way
from home."
Again
awkward exchange between Mary and the wise men. Joseph steps back
out of the picture. There is a certain controlling sense one gets
from
this Mary. She gives over the baby for the men to hold. They offer
up
prayer for the child. One of the wise men kisses his feet. Mary
smiles. There are peasants and children looking on. One boy with
his
donkey. The children are smiling. Gifts are brought forth by young
men
traveling with the Magi.
The
wise men leave. There is a wind. The angel Gabriel appears to
the
wise men. There are not words. We see panoramic shots of the path
ahead. Gabriel shows them the path they are to take.
The
baby sleeps next to the mother mary. A study of the baby's face.
The angel Gabriel appears to Joseph to tell him to flee. Famous
classical piece which I cannot place. Face study of Mary. She
mounts
the mule and they set forth. Vacuous gaze as she looks back knowing
she
is leaving this place behind.
Herod's
soldiers and recruits await an order. We see them charge down
the hill swords raised. There is screaming and cacophony. Grabbing
babies from women and killing the children. Babies flying from
the
mothers arms. Bloody bodies on the ground.
The
death of Herod. His ministers surrounding him.
Gabriel
appears to Joseph again to let him know that it is okay for them
to return. Scenes of the desert landscape they might have lived
in.
Face to face exchange between Joseph and Mary. Jesus the young
boy
walking up the hill to Joseph who awaits him with open arms.
River
flowing. John the Baptist. Many people surrounding the
proceedings. Again, "Motherless child" plays. The people
come and bow
before him and he baptizes with a handful of water. Not by submersion.
"Repent for the kingdom of Heaven is at hand." Pharisees
with their
elaborate hats in the hillside looking on. Crowds press in as
John
preaches about the one who is to come.
Our
first shot of Jesus - a tight shot of his face slightly off to
screen right. Much like the first shot of Mary. John looks closely
with a 'is that him' kind of look. Face to face exchange between
Jesus
and John. "It is I who should be baptized by thee."
Jesus
kneels down before him. Is baptized. The shot pulls way out.
"This is my son with who I am well pleased."
Series
of ambient scenics of vast wasteland. Christ praying in the
desert. Figure appears walking spreading dust. Jesus stands. ".turn
these rocks to loaves of bread." ".cast yourself from
this point." ".I
will give you all of this if you worship me."
The
one thing the dubbed version is that it allows you to take in
fully
the visuals.
John
in prison.
Jesus
returning from dessert. Male choir. Passing the farmers ".repent
for the kingdom of heaven is at hand."
Fishermen
putting our their lines. Jesus walking along the beach.
Calls out to Peter and Andrew. Tight face shots. "I will
make you
fishers of men." They abandon duties and chase after Christ.
"James
and John.come and follow me."
Peter,
Andrew, James, John, Phillip, Simon, Bartholomew, Thaddeus,
James, Matthew, Judas, Iscariot. "It is not you who speak.but
the
Spirit of your Father who speaks through you." Face studies
of the
disciples as they walk through the streets.
Walking
through the streets teaching.
Jesus
goes to the place of the sick and demon possessed. Kneels and
prays. Faces of these men now at peace.
Man
with deformed face/leper approaches Christ and his disciples.
"Be
though cleansed." And the man's face turns normal. "Tell
no man."
Beatitudes.
"Blessed are the."
Small
group assembled. Tight face shots of Jesus. Jesus face in
different environments - day and night, indoors and outdoors,
on land
and by the sea, calm and windy, sunny and stormy. Various teachings,
the words of Christ. Lords prayer. Teachings continue. Series
of
changing face shots.
Wide
shot of men traveling together. Christ's voice in the distance.
Picks up child, "My yoke is easy and my burden is light."
Pharisees
approach as disciples are snacking on olives/dates. "Look
the
disciples are doing what is forbidden on the Sabbath." Jesus,
"There is
one standing here who is greater than the temple."
Lame
man approaches. Again there is a southern blues song. Pharisees,
"Is it lawful to cure on the Sabbath?" Jesus - ".sheep."
Heals man.
"Behold my servant."
Jesus,
"The gentiles will put their trust in his name.."
Pharisees,
"He has to be done away with."
Feeding
of the masses with 5 loaves and 2 fishes. Baskets shown filled
so that the many people might eat.
Jesus.
"I wish to pray. Go. Cross to the other side before me."
The
men see something on the water coming toward them. Faces of the
disciples. Zooms to the figure on the water. "Have courage.
It is I.
Do not be afraid."
John
still imprisoned, "Is it he? Or must we wait for another?"
Messengers from John ask Christ these questions.
Jesus,
"What was it you expected to see?" Shots of people in
the
marketplace as Jesus is talking. Women's faces. Children. The
faces
of various people who have gathered round Jesus.
Young
man, "Could this be the son of David?"
Shots
of the ancient city. Capernum (?) Christ preaching in the city.
"3 days and three nights."
In
the middle of his teaching he is interrupted to be told that his
mother and brethren are there.
Mary now the older. Face to face between Jesus and Mary. "Who
is my
mother and who are my brethren?" Face of messenger also interjected.
"Whoever does the will of my father in heaven, that is my
mother and my
sister and my brother."
Cinema
Verite where verite = "truth" of Jesus Christ.
Jesus
in Nazareth. "Isn't he the son of a carpenter?"
Rich
man approaches Jesus. "What more do I lack?" Jesus tells
to "Give
away all though hast. So that the Kingdom of Heaven may be where
thy
treasure is." The man goes away.
"Easier
for a camel to pass through the eye of a needle then for a rich
man to enter the Kingdom of Heaven."
Children
come to him. "Let the little children be.for it is such as
these who belong the Kingdom of Heaven."
Bustling
street scenes. Young girl being attended to. John in prison.
Young girl again. mother brings her dress. Face to face - girl
and
mother. Young woman and mother. She asks for John's head on a
plate.
Brooding music. Soldiers raise sword.
Christ
by water with many people surrounding. Tears. "Let us depart
to
some deserted place to be alone. Come let us cross to the other
side."
Hand
held camera puts the viewer into the scene.
"The
son of man has nowhere to put his head."
Sweeping
landscape. Jesus and disciples walking through mountainous
terrain. Wind sounds.
"Who
do men say the son of man is?" "Who do you say that
I am?"
Walking with disciples out in the wilderness. Simon, "Though
art the
Christ, the son of God." Simon is renamed Peter. "Upon
this rock I
will build my church."
Tells
disciples of impending death and resurrection. Looks upon a child
playing with his father. "He is greatest in the kingdom is
he who
humbles himself like this little child."
"If
any man wishes to come my way let him renounce self, let him take
up
his cross and follow me." Speaks of betrayal, his killing
and alludes
to resurrection.
Documentary
style shots of children.
As
Jesus teaches we get face studies of each of his disciples. Theses
faces are solemn. Perplexed. Truly hints at the lack of full
understanding by the disciples of the situation they were place
in.
Shot
of an ancient city. Christ and the disciples decent to this place.
Closeup of Christs face. Stern. "We are going now to Jerusalem.
There
the son of man will be given up to the Chief Priests and the scribes."
The
disciples appear stunned. In shock. That this king was going to
be
killed.
Again
the filming of the parade of peoples marching into Jerusalem is
documentary style. Something we see today in movies like City
of God or
The Constant Gardener where documentary and acted narration blend
together.
The
men run and fetch a donkey. The music - a children's choir. The
covering of the donnkey. Women with covered heads and sad faces.
Animals, children jeering, people laying down clothes as a path
for
Christ as he makes his way into the city.
Jesus
lays his had upon a child - captured by the camera.
Jesus'
moment of anger as he upsets the carts of the money changers.
Pigeons fly away. The priests gather in the windows to see what
he is
doing.
Children
waving palm fronds run into this place. Christ smiles. The
children understand who this is. Contrasted with the priests who
do
not.
Face
studies of the disciples. Some sleep. Others pray. Some weep.
Christ is out of bed. Praying. The camera stays on his face for
an
extended period of time.
Jesus
moment of frustration with a fig tree. He curses the tree. It
withers. The disciples witness this. They gather up and follow
him
away.
There
is a natural sensibility to the shots Pasolini chooses. On the
other hand there is a very composed sense as well. Each shot like
a
painting or posed photograph.
Face
studies of the Pharisees as Jesus and the priests volley back
and
forth with words. The children sit at Christ's feet and seem to
understand.
The
disciples continue to look perplexed, confused, no in true
understanding of what is going on with the Christ.
Christ
elevated, teaching, in front of an ancient building. The crowds
close in around him. He is looking back at something. We get a
pan of
the city. "There will not be one stone left remaining in
this place."
The
priests conspire.
Shot of the wilted fig tree.
Gathering
of Jesus and his disciples for a meal. A woman anoints Jesus
hair with oil. Again those gathered with him look on in shock
and
dismay.
Judas
and the Priests.
"One
of you will betray me." - "Lord is it I."
The
Lords Supper. NOT presented DaVinci style. Rather Jesus goes as
a
servant around the circle handing over the elements.
Inter
cutting between Christs face and those of the disciples.
Their
faces move towards being in shadow. Christ, shrouded, moves down
the path to pray. Asks Peter, James and John to join him. Three
faces
walking down path. Christ hugs one of them. Then solitary face,
looking down , sweating, city scene, he is walking again, he prays,
more
city scenes, he walks more, praying face dark until he turns his
head
down.
Shot
of the disciples sleeping. Jesus returns to them. Christ weeps.
Disappointed. He walks away. Prays. Then the sound of crowds
shouting. Jesus runs to the disturbance.
Betrayal
by Judas is played down. Next we see Christ in the street
being escorted by soldiers.
Solitary
Judas. Covered in robes. Moves through city streets. Scared.
Eyeing Christ off in the distance being led away.
The
scene in front of Pilate is shot from a distance from the point
of
view of an onlooker. The audio we hear is distant as if overheard.
Jesus
is mocked.
Denial
of Peter. Each of his accusers in extreme close-up shots. Peter
runs and realizes that Christ's prophecy has come to pass. He
stops and
weeps. Falls to his knees. Empty walled street.
Judas
attempts to appeal to the priests who refuse him. He runs off.
Undressing himself he hangs himself with his own clothes from
a tree.
Shot like those of lynchings.
Two
veiled women. A young boy turning his head.
Extreme
close-up of eyes crying.
Release
of Barabas. Pilate releases himself from responsibility.
Roman
soldiers eating and throwing dice. Christ led into room. They
dress him and ridicule him. Place crown of thorns on his head.
Inter
cut with the crying eyes.
The crowded streets. Christ carrying full cross. "Hey you!
Come help
carry this cross." Cacophony of voices in the street. Confusion.
Not
a lot of blood and gore in the Pasolini portryal.
There
is a sudden silence. Wind and orchestral music as the parade of
soldiers, Chris and others makes its way up the hillside to Golgotha.
Another
man's cries in pain as they hammer his hands to the cross. Shot
of his face.
The
three women. Shrouded in black.
Christ's
robe is removed. He is placed on the cross. Cry as his had is
pierced. The cross is raised.
The
three Mary's. Weeping. In shock. Again very documentary like.
People running up to witness this.
Darkness.
"My
God, my God, why have you forsaken me." The soldiers mock
Christ.
He call out. There is an earthquake. Walls tumble. Fires. Smoke
settle across the city and blots out the sun.
Again
documentary style footage as people rush into the ruins of the
city.
Christ's
face.
The
removal of his body from the cross. Choir singing.
The
women come forth and make ready the shroud which they will wrap
his
body in.
A
small procession of 10 people carries off Christ's body. Shot
of toes
emerging from bottom of shroud. Face of Mary. Young boys lift
the body
into the tomb.
Guards.
One sleeping. A couple drifting off. Spot the women
approaching the tomb. The rock falls forward. The angel Gabriel
appears to the women. African tribal chant.
The great commission is delivered by Christ to the disciples.
THE
END.